when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.2 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else. this time we have the rare luck to get detroit legend (u.r. keyboard player) niko marks joining forces with 4 astonishing & devastating versions of tom tom club, abc, donna summer & marvin gaye. musically, its as delightfully funky and uncomplicated as youd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. essential item !!

the relentless work ethic of dj w!ld shows no sign of slowing down with another amazing ep, this time through his own imprint the w label, that unleashes four new tracks plus a dubbed out remix. in contrast to his recent output on other labels the four tracks sit firmly in the dj tools category with stripped back arrangements, raw-to-the-bone underground house grooves and drums showcasing all that is good about the parisians highly in-demand dj sets. head-nodding tribal infused percussion is the main theme with tracks blind and miami bitch setting the scene with a brass breakdown in the latter that is sure to send shivers down spines. narco switches things up with its core element focused around a shoulder shaking bass organ straight out of the 90s. on board gets and original and re-worked dub outing with hypnotic congas and a vocal that loops inside the mind.

damian schwartz and jonas kopp, two old friends and part of the esperanza family come back to the label to deliver a split ep full of deepness and dubby yet summerish feeling. a side, hidden house its the deep cut of the record with a huge detroit feeling, analog synths, melodies, pads. chords, strings. jonas track on the b side is a great tool we have been using for years already, 100% his own unique stlyle of dubby techno. must have!

one of the most memorable releases in grid recordings illustrious back catalogue, mutated forms *wastegash* has become an anthem - laying waste to dancefloors with its unique drumstep beat.
now one of the tunes that really helped put mutated forms on the map gets two very different but equally high quality remixes from d&b maestros the upbeats and dubstep don subzeed.
support from friction, skream & benga, caspa, andy c, s.p.y, the upbeats, noisia, crissy criss, ed rush & optical and more!

the romanian flow got known to be the favorite one by every dj around the globe when its time to go late in the morning its what we are talking about here on this new dissonant signed by bucarests favorite piticu ...

hitsafe are a duo of established producers operating under an enigmatic moniker. nothing new, you might say, and that is true. the music is so outstanding and unusual though, that in this case this approach really does make sense. serious jaw-work is funk in its purest form. and we mean real funk! wonder how many djs will have the guts and abilities to play this one out…to round this release up, we asked lopazz and casio casino for a remix and these guys came up with two! both are so good, we couldnt make a choice. so here we go with both of them on this release. the jack remix on a2 is a functional tech housy Überhit, suitable for all peaktime house floors, the jane remix on the b-side is a moodymanesque version with a strong ludicruous tendency, that has all necessary qualities to become a timeless epic. massive!

myles serges saure music group expands its self to create smg limited. smg limited showcases only special and one of a kind tracks in a vinyl only format. the 1st release is from two of our good friends plural (aka james johnson) and general vex who split the release to create pure madness!

ltd backstock . ivano tetelepta returns to duty on fof after his well received * true colours* lp with a veritable potpourri of tracks in collaboration with various cohorts. first up ivanos collaboration with steve siwalette twists and turns with a steppas beat whilst melodic licks build the track up to its anthemic break. * give me something so i can dance* w/alex jansen roughs things up with a low-slung dirty groove whist ben buiendijk injects an acidic flavour into his collaboration before ivano & bas amro delve deeper with the sweetly melancholic tones of * manolia*.

garrett david and adam rowe first met 4 years ago working together in the run-down offices of dust traxx. since then they have graduated to roommates and co-workers at chicagos gramaphone records. with their debut release, the boys deliver a unique and endearing house sound with a bit of quirk and machine-made flavor. an ep for the selectors, each track demands its own place within the night. b free features their dear friend and vocalist, shaun j wright (ex. hercules & love affair). we have been waiting so long to get this out, and cannot wait to share it with the world. werk.

the lyon-based french label strikes again for its one year anniversary. in line with its characteristic sinuous way to explore the various side of the underground techno scene, the mysterious clft militia delivers this time a very functional and effective whack, with non other purpose than banging the dancefloors. londonian newcomer fundamental interactions debut ep offers two monster tunes of dark sounding retroesque techno. on the b side, lee holmans storming & percussive remix, as well as veteran legend aubrey saeis massive endarkement, finalize this release immaculately. a must have from the messiahs to the masses

this is the start of our path in the darkness, in search of the brightest light. rectoversion its not just a label but a life concept based on the notion of dualism thats the reason why we have an original track for side with their remixes, a leitmotiv useful to show the complete face of each of them. so you can feel the black and the white of these two tracks by alpha code & future 16, with reworkings by tadeo and area fortyone.

its a fact: plector 005 strikes back with a full techno analogue ep. as a starter on the a side, noticed for his ep on m_rec ltd and his featured track on plector lp003, stanislav tolkachev delivers two linear, energetic , greasy techno as he used to do. no loops, no break, just heavy beatz to hit the dancefloor in a dramatic way. a perfect weapon to not miss your target. for the main course, we can find fran hartnett, well known for his it was written in vapour track and the great number of remixes he did on various labels. he stays faithfull to himself with this two trackers side. astonishing breaked techno at its best. ideally to start a big party! as we said, since plector become a reality: just techno, no compromise at all

after whispering the name >the jaydes< for a few months, the dame-music crew is proud to finally reveal their first single >step on light< on a vinyl only release. the jaydes are a collaboration between two friends and studio partners bloody mary and attan. their first remix of anaxander >7 ways< on the last dame-music release was a good introduction to their album, that >step on light< is a hint on what is forthcoming. the album, due in february 2014 will include nine tracks and some serious featuring artists. >step on light< rises from its very strong 80s influences to the 21st century with class and power. the swinging drums and the percussive bass mark the tone and lead the groove all the way till the end.

after three quality releases, woods n bass records vinyl-only series receives the labels mastermind merino, to deliver his first 12 on his own imprint. the colombian dj and producer presents four cuts of melodic but yet killer techno, and in which medula, the title track, offers you a space riff of detroit sounds that will fill any dancefloor, making it a great secret weapon for any dj to pull out at the right moment. better watch out for this one, south american techno at its best.

5 years ago i begun an awesome adventure called suara. after a few records the label started to be called the label of the cats. nowadays its one of the hottest new brands of the techno/house music industry. today we arrive to the release no.100, a very special one. thats why ive asked to some of my fav artists ever to remix southen instinct, one of my most popular records of the latest years. riva starr, vince watson and satoshi tomiie are on the controls of this kitty ship.

welcome to the world of cvnt, a world where voguing dominates, and house in all its forms, past and present, ballroom to retro, is the musical language. after a sterling debut in 2012, which included support from hannah holland (batty bass), jd twitch (optimo), bok bok (night slugs), rushmore (house of trax), severino (horse meat disco) and voguing/ballroom legend vjuan allure, cvnt (aka niall connolly) is back with a brand new four track ep on body work, statement.

ltd backstock !!
let us say it right away, >the praetorian / rq-170< is breaking new grounds for artist & label equally. stagnation equals death. this to many new side of shed probably presents one of the darker and more experimental sounds of 50 weapons. its not techno. its not dubstep. its not breakcore. its not jungle. its not ambient. its not chill out. its not glitch. its not drone. what is it? epic bass!

its been a while since weve heard a jam as bruising as nonsense. titles in techno often dont tell you much, and wed go as far as to say this badboy is really more no-nonsense.

vinyl-only label el milagro records presents its first release: three tracks of something that resembles house as much as it resembles many other things. between reeling synths, no-nonsense drum lines and one very particular piano, uruguayan fede lijts resina ep is chaotic in the best possible way. limited edition of marbled covers hand-painted by fede himself.

c.a.v.o.k. calls out our beloved oleg poliakov on his first release for us for 2013. its a good sign, that the skies are clear and we can carry forth on our musical mission unhindered by the weather. with an album looming on the horizon from our in-house weatherman, this ep sets us on a course across open plains towards that landmark, propelled by an infectious energy that marks a progression even for a producer as accomplished as oleg.

its time for a new off recordings music delivery, and this time we put betoko, one of the most exciting names in the global scene, in charge. mexican-born but based in london, this notorious musically trained producer unleashes all his melodic arsenal in two outstanding tracks for our delight.

when hartmood sent us his stuff in the late eighties we were like >oh my gosh its far too early for that kind of next gen shit!< we asked him if he was in a hurry. he said >do what ever you like!< more then two decades later we thought it was time to release his shit. and so we did. we asked boris bunnik and dcnt to do a remix and in the end we even had some more next gen shit!

he rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenal s 98 fa cup winning side. the nigel winterburn of the release is coyote s without the e , a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles . aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust , while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder , an ebm and industrious dancefloor workout.

the mysterious lord of italo hooks up with il bosco on the latest hot 4 tracker from red laser. a simple and dark bassline with haunting lasers creates the bubbling imagery of a journey through manchester at night. where are we heading? to the fukin disco mate. how we getting there? in il bosco s 10 year old ford focus with the fat system g. why is the underside all crumpled? cos dj emerald beached it in tib street car park. windows down on a summers night? no, theyre broken. kid machine rocks the quickest shit i ever heard him make with this italo-electro-disco smasher. the title track to a film score that doesnt exist maybe ? this sci-fi thriller gives bass line collectors their monies worth and the beats are seriously heavy, but my favourite thing about this recording is the glittering euphoric interludes that appear twice in the track and make the whole composition complete. his strongest stuff yet. yes yes yes starion returns with another cosmic italo disco bubbler. its the soundtrack to a film set thousands of years in the future about a pimpin robot called night flanger. he makes sure all the fembots undercarriages are maintained and well lubricated when hes on a night out drinking diesel and smoking aluminium too hot to handle. too cold to hold. dirty girl is a boogie electro funk jam from il bosco. a chopped up rare as fuck record. can you find out what it is? probably. if you do and you know how to contact the artist let us know... do not miss!

british imprint tact recordings drops its seventh release this october, the doe maar diep ep from dutch duo, duijn & douglas, backed with a rework from label-head lixhz.

gogo music keeps at it with this stunning and real heartfelt song titled *never*, which gave ralf gums album *never leaves you* its name. featuring chicagoan crooner jon pierce and kafele on trumpet and background vocals, the song received much praise since the long-player was released. finally it receives its single release with remixes by no one less than the legendary louie vega.
another time gogo music presents a real sophisticated soulful delicacy, with all ingredients a future classics needs. gogo music ... music it is and is it!

cloaked in black, dimly lit and sparkling with dust, warm communications announces umbra volume 1. much in the spirit of adam xs traversable wormhole series, warm is bringing you a collection of anonymous releases that remind to remember drum and bass at its true heart: cracking snares, kick drums hitting your chest, subtle pads playing in an offcentered unison over 808 tones drowning distant thunder. these are the tunes you hear in a mix and say, who was that? the tunes that have made you wake up the next morning and type *id?* in the comments page. the tunes that do not even need to be named. warm communications umbra is truly about the art.
umbra volume 1 is a two-track ep that evokes omni trio and saw-era aphex twin, rumbling sine-heavy bass under ringing melody, computed chords and clean, crisp drums. this is a collectable, limited-edition series labeled appropriately with secretive sewer-grate artwork. umbra volume 1 is lurking there, underground, looking up through the shadows. it is up to you to find out just who is waiting there.

andrey terekhov is known to the world as eastcolors, and is known for his wide-scale, expansive sound on releases for labels such as critical, samurai and hospital. now, it is demand records who take up the talented young russians work, the swiss imprint is respected the world over for its strength of roster, quality of releases and forward-thinking vision. the perfect combination of artist and label, then, for the issue of the light ep. the original is straight up classic eastcolors, with ranging depth, soulful vocals and urgent, percussive beats. the flow is augmented with some flashing electronics, smooth delivery and top drawer arrangement and production. truly a gifted musician, if you have slept on eastcolors up to now, it is time to wake up.

part 2 of the ep kicks off with *domino* a track thats bassline drones underneath its own distinctive synth line to keep the drums rolling along steadily. the title track *black leather* is everything you would expect in a drumcode record, a subtle throbbing bass line which, keeps the track moving before the synth stabs enrapture the track and twist it into a dark, throbbing composition

we are back with the second vinyl edition solid ep this time we have istanbuls finest techno dub master and co-founder of sublime porte, ismail genc (havantepe, raw, devante) he provides us with 2 original track and we have two amazing remixes from saso recyd and s.eelzi.
the original tracks solid and east are a perfect mixture for, ranging between gently moving sounds, pulsating structures, deeply touching melodies, playful minimalism, and proper dub techno ... the remixes maintained their focus on the dancefloor, every version has its own special touch recyds version could be described as harmonious tech-house, creating a special mood with lots of synths and strings. headhoncho elezi created a rhythmic remix with shuffle beats melodic baseline wicked groove that will work in any peak time.

on and on the amsterdam based artist and events agency recently launched their new musical venture on records with an ep from jeff rushin & nicole rosie. 001 received a wealth of warm support and today on returns with its new release from fellow dutch artists, doka & shltr.
for 002 on takes a trip to the south of the netherlands (via amsterdam). doka is a name on the on rise. his uncompromising, relentless productions has already seen release on wolfksuil and android muziq and he a regular on the dutch techno circuit. dub techno is the first love of shltr and his own production style also touches on ambient and electronica. together the pair form an impressive partnership, melding their sounds and styles in perfect harmony to create two stunning original tracks in skarn and sovite. keeping it dutch, on welcome darko esser in his tripeo guise on the remix of skarn. the wolfskuil and balans boss has been blazing a trail with his ltd vinyl only tripeo series and is now taking the act on the road. here he takes skarn on a beautifully powerful acid-laced trip that is certain to please.

pareto park presents the first collaboration between george lanham and david meiser with the pair serving up a blend of abrasive modern techno and classic influences. the opener distress sets the tone and grabs the listener from the start with its moody vocals punctuating a sinister beat. lanham s cabot cove syndrome hits hard with a growling synth lead, pushed forward by a building siren. whilst rising entropy and co operation 1 both reveal the duo s mills influences, yet aimed at modern club play. a strong ep with the vinyl release featuring 4 additional locked grooves.

hanne & lore are finally home again with a groovy pounding ep. the needle touches the a-side and immediately releases the first euphoric and crackling sounds of supergirl. a true tech house firework, which ignites itself without having hanne & lore lose themselves in too many bells and whistles. the supergirl leaves the stage and makes room for a bass line that is looking for its partner. man oh man, you say to yourself, while tapping to the music. completely lost in thought, you get thrown back into the electronic life by cascandys synth-shots packed amazing rework. monaberry sees its 19th offspring come to life and it is just as strong as her brothers and sisters

void coms is a label inspired by the work and theories of yves klein. kleins work revolved around a zen influenced concept he came to describe as *le vide* (the void). kleins void is a nirvana-like state that is void of worldly influences, a neutral zone where one is inspired to pay attention to ones own sensibilities, and to reality as opposed to representation. we hope to apply these ideas to the musical and identity approach of the label, letting powerful music speak above persuasive imagery & enticing embellishments.
homologous takes the form of 3 compositions designed specifically for void coms, with fis being heavily instrumental in the development of the ideology behind the label, as well as spearheading its musical direction.voidcoms001 has been mastered by matt colton at alchemy to be released on 12 inch vinyl with a laser etching of original artwork by fis designed exclusively for the release. further transmissions to follow.

*** only 1 copy per customer!!***
fresh from inaugurating his new wildheart imprint with a killer collaboration with tony allen, cult motor city producer theo parrish (sound signature / 3 chairs) maintains the languorous, dreamy vibe of malas original but opens out the groove, allowing the south londoners warm sub-bass to flex its muscle. the bass weight is tempered by deep, mantric keys, the soft choral vocals of sexto sentido, and dreisers spiritual incantations

gravious (real name alastair jackson) is a dubstep and electronic music producer based in glasgow. his early releases came via the hotflush label, and its scuba sub-label. more recent releases have come through highpoint lowlife, davey jones, saigon and broken bubble. now gravious offers halocyan his most ambitious work to date, the *rolling thunder ep*. the eps title track begins with glassy, plinking synths that segway into a rollicking, stuttering beat. pitched up vocals lend a 90s throwback vibe to this fun, uplifting number. hotly tipped new york producer octo octa (100% silk) cools down the original with loads of house flavor and his own pristine melodies. on the b-side, *release*, is a towering, glacial epic pushed along by a lurching, pulsating bassline and sensual, shifting vocals. closing out the record is *sulaco squares*, a taut, careful arrangement packed to the brim with colorful melodies and arpeggios.

etcht records comes with its second release, this time from new artist cam chorder. this release moves in a different direction from the labels debut showcasing a new slungout analogue electro sound. cam chorders *the worst* was recorded during a live jam taken from rosies box studio in london. featuring breathy vocals and noisy synths, this gives an uneasy yet poppy tone to this record. the original is backed by a futuristic 4x4 reworking by velvit aka dbridge.

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

modern primitivism, the fifteenth release on get the curse music comes from the label head clement meyer. a 3-track 12 inch that showcases a new, albeit logical, direction for the producer, now blending electronic body music, industrial, downbeat and 70s electronics in its own raw, moody & distinctive style. as a counterpart to the left-field vibe on the ep, lumigraphs remix (opal tapes, mister saturday night) is a techno bomb ready to serve the dancefloor.

andrey terekhov is known to the world as eastcolors, and is known for his wide-scale, expansive sound on releases for labels such as critical, samurai and hospital. now, it is demand records who take up the talented young russians work, the swiss imprint is respected the world over for its strength of roster, quality of releases and forward-thinking vision. the perfect combination of artist and label, then, for the issue of the light ep. the original is straight up classic eastcolors, with ranging depth, soulful vocals and urgent, percussive beats. the flow is augmented with some flashing electronics, smooth delivery and top drawer arrangement and production. truly a gifted musician, if you have slept on eastcolors up to now, it is time to wake up.

as an artist, christian burkhardt, is not content with existing within the realms of house and techno, but is determined to further stretch its limits with his signature sound originally from heidelberg, germany, he has carved out his own unique path in production, something which perfectly evident on send the money back.

highly recommended! enlightened wax is proud to harbor on the side a of its fourth chapter all the dirtiness of the legendary dj octopus (muscle records) has been. >the black face< is a funky, abrasive, filthy track and >heavy breathing< is nasty twisted house anthem. marieu, the boss of the label showcases on the b side two sci-fiinspired cuts. >talk to me< is a jacking piece of quasar techno,while >about you< is a smoother delightful excursion into broken beatsterritories. vinyl only!

third ltd puas puas from funky deep house to athmospheric techhouse! again vinyl only

vinyl only! the next generation of dutch house producers is here. de sluwe vos drops a heavy house hitter on the new soulfood label. including a montell remix. de sluwe offers a nice contemporary version of classic peak time tracks rooted in the 90s club house and (uk) garage tradition. fresh, sexy and ballsy house music that will maintain its essential and funky edge ten years from now. soulfood the new home of house in pure, raw and uplifting form.

parisian label mlh are pleased to present the first vinyl release with four tracks by the ny legends the dat project and the groove victim.based in paris, mlh brings real house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris. the sounds of house compilations are intended to be a simple contribution to the history of a relatively young musical scene but whose culture is already full of true legends. this time, the major league house have chosen two new york underground house scene activists to appear on its first vinyl. a-side signals the return of the legendary dat project, better known as william rosario. with 25 years of experience, numerous aliases and more than 350 releases in notorious imprint as nervous records, strictly rhythm, umm, next moov traxx… william rosario is considered as a pioneer of the dance scene. the dat project tracks come with the genuine old school deep house vibe from a producer who was there at the beginning. the release features 2 of his oldschools classics especially remixed and remastered, including the 92s hit >let the rythym move you<.on the b-side, mlh present two stomping tracks by the mysterious jay brown. under his groove victim alias,he brings us some deep dopeness coupled with swinging beats and atmospheric synth melodies. after several great releases as the wanderings ep, foul tracks ep, the chosen tracks ep…on imprints as cyberjamz and my love is underground, the groove will definitely grab your attention with these two hard grooving tracks...

vr is delighted to welcome the ukranian disc jockey volta cab for its thirteenth release. the dnipropetrovsk local delivers a three-track ep that kicks off with the dance floor weapon i cannot sleep. classic warehouse beats in combination with twisted vocals. jamelia builds up on the a-side with some shifting hats that call for the dance floor. in b2, volta cab remembers when house had artists and personalities. i remember is an idyllic journey that tells a story.

we booked dj sotofett a few months ago for a versatile party at rex club. he decided to stay in paris a bit more, to work with gilb-r in the versatile studio. and here is the result! they jammed with zombie zombie, recording the infamous bongos of cosmic neman and the modular synths and saxophone of etienne jaumet. then each of them took the parts and did a version on his own. its the beginning of a collaboration, another 12 inch is planned and already recorded... peace

first release on supalatino, a fantastic new 12 inch compilation of five hard-to-find floor-friendly latin flavoured club monsters brought to you by the people behind the respected supafrico imprint. kicking things off in style is the truly awesome >meu amigo blanco< from brazilian songstress marcia maria. originally released as an impossible-to-find lp track from 1978, this track on its own is worth the price of the 12inch but theres four equally brilliant tracks to follow. first is ray barrettos brilliant eight-minute latin version of the stevie wonder classic *pastime paradise* followed by the uplifting vibe of spirit of love from the king of latin piano eddie palmieri. next up is the wonderful brazilian fusion of paulinho da costas >love til the end of time< which became a classic on early eighties jazz-funk scene and then rounding off this great comp we get yambus latin disco crossover cover of the classic >sunny< produced by the legendary milton hamilton. top quality - dont sleep!